Photo by Alisa Hauser

Azhar Usman jokes that he looks like “that guy from LOST. Not the Indian one, the fat one!” The Chicago comedian uses humor to poke fun at racial stereotypes, referencing his own life as the child of Muslim immigrants growing up in mostly Jewish Skokie.

Usman recently did an extended set in front of an intimate audience at Chicago’s Th!nk Art Salon as part of their ongoing War & Peace exhibit.  Usman performs regularly alongside a Rabbi/comedian in a show they’ve dubbed the Laugh in Peace Tour.

The evening took a surprisingly deep and personal turn when Usman shared a story about learning to parent four young sons inquisitive beyond their age.

3:09


Click here to hear Usman’s entire set at the Th!nk Art Salon, recorded by Chicago Amplified.


The HHB Portadisc MDP500. This professional portable minidisc recorder is absolutely top of the line. This one is basically like new. I purchased it in 2003 and used it in the field for a long time. The sound quality for interviews and field recordings is sublime. It also doubles as a studio deck, with built in compressor/limiter, duel stereo XLR inputs and a USB connection. When I freelanced more I used it to record any voice tracks directly into my computer. I’m only selling it now because I have a second recorder I use professionally and this one is too nice to sit unused.

Comes with black carry case, wall power adapter, and USB 2.0 cable.  It retails new for approximately $1500, so you are not going to find a better price for something like this. Review here: http://emusician.com/daw/emusic_hhb_portadisc_mdp/

Please email me at robinamer [at] gmail [dot] com if you’re interested.

Pictured with black carry case.


Thanks, KUT!

02Aug10

Ah Austin. The coolest city in Texas. Now even cooler because they keep licensing my radio pieces for broadcast. Thanks, KUT!! My piece on Malort aired last night on their late night documentary show, O’Dark 30. Now I’ve received word that Austinites can hear Ghosts of Gary sometime soon. Details when I get them.

Also, I looked this morning and saw that my video piece on the Fireside has been viewed over 1600 times since Friday morning. WAT. This has been a great week.


~Update 8/2/10: This has now been sold. Thanks. ~

I’m changing my editing suite at home so I’ll be selling my copy of Pro Tools LE 7.0 and its accompanying hardware, the MBox 2.

This is a professional quality digital audio editing suite (software and hardware). Great for audio production including music. Comes with Mac and PC compatible versions.  Also comes with Pro Tools LE 6.8.1,  and software from the “Pro Tools Ignition Pack”: Ableton Lite 4, Reason Adapted, BFD Lite, Melodyne, Broadjam and Bunker 8.

I’m asking $215. Retails new for approximately $350 – 400.

If you’re interested, please email me at robinamer [at] gmail [dot] com.


Depending on whom you ask, the Fireside Bowl is either simply the bowling alley in Logan Square, or the best punk rock club Chicago ever knew.

In its venue days it was falling apart. It was loud. It stank to high heaven, and the men’s bathroom had no doors and no seats. It was punk rock to the core.

In 2004 it shed its punk rock past, ceasing shows in favor of recreational bowling. Fans of the space thought they’d never see another show at the Fireside.

But in June the venue began a trial run of shows, attempting to cultivate patrons during its slow summer season.

I went to a recent show with the Chicago News Cooperative’s Meribah Knight to ask what made the Fireside a punk rock legend.

Read Meribah’s print piece and see a gallery of photos at The Chicago News Cooperative or at The New York Times!

Editor’s Note: Hooray! I am EXTREMELY happy about this piece. It’s my first freelance multimedia piece, period, and it’s for the CNC and the freaking NEW YORK TIMES. I am really pumped. Also it was fantastic working with Meribah. She’s such a great writer and reporter, and was so easy to work with. I’m doing the happy dance at my desk right now.

I also want to thank everyone we interviewed, especially John Benetti, who connected us with so many great folks; Martin Sorrondeguy, who is an incredibly inspiring guy; and Annie Strong, who gave me a ton of old photos and music files which were invaluable in making this piece. Rebecca Ann Rakstad and Patrick Houdek also made their photo collections available, which again, was amazing and much appreciated. Thank you so much!


More News

22Jul10

I haven’t wanted to say much about this yet until it happens, both because I don’t want to jinx anything and because the story is time sensitive, BUT…it looks like I will have a multimedia piece in the web space of a major American daily next week. THIS IS VERY EXCITING. I’m collaborating with Meribah Knight, a print reporter and all around awesome lady, to whom I was introduced by my former boss. We clicked as soon as we met and I’m hopeful that this will be the first of many collaborations with her. For this piece we’re co-reporting the story. Then, she writes the print piece and I create the audio/video/photo/whatever piece that runs alongside it.

Obviously I’ll share more and post a link once the piece is completed and online.


Exciting News!

14Jun10

I just got word that the Third Coast International Audio Festival, audio doc powerhouse extraordinaire, wants to license one of my pieces for their show Re:Sound! I am really really happy about this. The Third Coast Festival is pretty directly responsible for me living in Chicago, having professional connections in radio, and loving the medium of audio documentary as much as I do. They are amazing curators who bring together outstanding content from all over the world, and I am extremely flattered to have my work included in their broadcast.

They’ve licensed Ghosts of Gary for a broadcast on the theme of “loss.” It’s scheduled to air July 3rd. See their show page for details on how to hear the show, or to subscribe to their excellent podcast. Whee!



Follow

Get every new post delivered to your Inbox.